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Thursday, 15 March 2018

Aline Kominsky-Crumb launches Love That Bunch

Pioneering feminist cartoonist Aline Kominsky-Crumb presents Love That Bunch, autobiographical comics that chronicle the raw, dirty, and unfiltered thoughts of a woman coming of age in the 1960s. Kominsky-Crumb’s darkest secrets and deepest insecurities were all the more fodder for groundbreaking stories that crackle with the self-deprecating humor and honesty of a cartoonist confident in the story she wants to tell.

Kominsky-Crumb will appear in conversation with Hillary Chute, author of Why Comics? From Underground to Everywhere, at 7pm on Tuesday, April 24th, at La Petite Librairie Drawn & Quarterly.


MORE ABOUT LOVE THAT BUNCH:
Love That Bunch traces Aline Kominsky-Crumb’s life as a Beatles loving fangirl, an East Village groupie, an adult grappling with her childhood, an 80s housewife and mother, all the way up to a new 30-page story, “Dream House”, that looks back on her childhood. It is shockingly prescient while still being an authentic story of its era. Kominsky-Crumb was ahead of her time in juxtaposing the contradictory nature of female sexuality with a proud, complicated feminism. These comics thrum with anxiety and questions about femininity, identity, and family. 


ABOUT ALINE KOMINSKY-CRUMB:
Aline Kominsky-Crumb was born on Long Island and is one of the most influential cartoonists of the underground era as the cartoonist behind Dirty Laundry Comics and Arcade; a contributor to Wimmen’s Commix; cofounder of Twisted Sisters; editor of the anthology Weirdo and author of the graphic memoir Need More Love. Since the 1990s, she has lived in the south of France with her husband Robert Crumb. In 2017, the David Zwirner Gallery in New York held a joint exhibition of their artwork: Aline Kominsky-Crumb & R. Crumb: Drawn Together.


ABOUT HILLARY CHUTE:
Hillary Chute is the author of, most recently, Why Comics? From Underground to Everywhere (HarperCollins, 2017). Her other books include Disaster Drawn: Visual Witness, Comics, and Documentary Form; Outside the Box: Interviews with Contemporary Cartoonists; and Graphic Women: Life Narrative and Contemporary Comics. A Professor of English and Art + Design at Northeastern University, she is also Associate Editor of Art Spiegelman’s MetaMaus and co-editor of Comics & Media: A Critical Inquiry Book. She has written for publications including Artforum, Bookforum, The New York Review of Books, and Poetry.

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